4.10.12

GIRRL EVENT 15 mins - Women and Sound



where The Glasshouse, QUT  Creative Precincts, Kelvin Grove Rd, Brisbane
when 17 October
time 6.00pm - 7.00pm

GIRRL [girrlsound : digitalgirrl] supports the development and promotion of new work by women in the sonic and digital arts. GIRRL works to provide discussion, networking, and exhibition spaces to initiate collaborations and offer support to women making, curating, reviewing, theorising, and working in the digital and sonic arts.

Our final public program of the year includes four dynamic sound and digital artists - Heidi Millington, Antonia Zappia, Amber Hansen and Michelle Xen. They will present some of t

heir work and discuss their creative practice.

Speaker bios

Michelle Xen is an Australian visual/sound artist, musician, and performer. Her practice synthesizes elements of colour, dynamic, timbre, volume, and field to create emotional and visceral installations, videos, songs and sound works. Through this practice, the persona of the female pop musician is dismantled and reconstructed through the histories of experimental art performance, pop music, and art installation practices. Her practice forms relationships between contemporary art practice, pop music and contemporary performance creating a generative questioning of how we assimilate and balance cultural outputs. Xen has collaborated extensively across creative disciplines and toured internationally as a DJ and vocalist/producer.

Heidi Millington (Rose Carrousel) is a musician and an environmental scientist. She mixes whimsical vocals and unguarded stories with acoustic instruments and shimmery, glitchy electronica to make hand-made, beautiful folktronica and lo-fi electro. She has performed and released internationally and been highly commended in the Queensland Song of the Year (2012). Merging art and science, she is developing a light-sensitive "Nature Synth" for investigating how people engage with voice and the sounds of nature.

Antonia Zappia is a contemporary composer and sound engineer based in Brisbane, Queensland. Her creative practice encompasses classical, contemporary classical, popular music and sound art. In developing her compositional voice, Antonia spent three years collaborating with contemporary dancers, choreographers, filmmakers and visual artists. In 2011, she was one of the classical finalists in the APRA Professional Development Awards and completed an Honours degree in Music Technology at the Queensland Conservatorium of Music. Her dissertation, entitled Interdisciplinary Collaboration: Effective Traits of a Creative Partnership, was informed by research of 20th century and current creative partnerships.

Amber Hansen is a multidisciplinary composer, producer, performer, researcher and teacher. Her creative practice embodies and expresses her experiences and perceptions as a woman of mixed cultural ancestry, influenced and inspired by the multicultural, urban, indigenous and natural landscapes that she was raised in, has travelled to and that surround her. The diverse cultural, social, political, spiritual and creative facets of her past and present inform and influence her practice, realised by utilising diverse artistic mediums such as electro-acoustic composition; traditional, contemporary and oriental Arabic and Middle Eastern music and dance; live performance art; installation; remixing; film and other visual media.

1.10.12

GIRRL launches podcasts - the cat cinderella radio mag


Sarah Bliss From the Freezing Falling series.  Archival inkjet print. (2010)

GIRRL is so very happy to announce our new podcasts CAT CINDERELLA Radio Mag, curated and hosted by Barbara De Dominicis  are now up and running and they are fantastic!

Launched as the podcast/sonic backdrop of  GIRRL SOUND to become a web radio magazine for female-artists from all over the world to publish their work, The Cat Cinderella* features a new podcast-episode bimonthly with works by women artists who investigate sound as a distinctive element in their research. We are mainly focused on sound at the border between art_music and hybrid audio collages and aim to provide a space to encourage works created by women in the name of experimentation and  authenticity. We do welcome works by women of any ethnic, cultural and educational backgrounds devoted to sound art, audio documentary, field recording, performance, radio theatre, audio portray, sound postcards, sound poetry, visual arts as well as electroacoustics and any other free- forms explorations in the aural and visual realms

episode 1 click here

25.12.11

Wonderful new Sound art site called Sound is Art!!!



http://margaretnoble.net/soundisart

With 500+ subscribers, it is a great place to share your work be heard! I hope
to post recordings of your environment, sound art, home made instruments and
other audio oddities. In particular, I am looking for the unique. There will be
no compensation for these submissions but hopefully some satisfaction in
sharing.

SOUND WORKS ARE PRESENTED IN THE FOLLOWING CATEGORIES

ARCHIVAL RECORDINGS: Old vinyl snippets and other bits of sound history

FIELD RECORDINGS: Recordings taken from the natural environment with minimal
studio processing.

UNUSUAL INSTRUMENTS & GEAR: Recordings from unique electronic and acoustic
instruments.

PERFORMANCE: Excerpts from live sound art performances.

PROCESS: Sound art compositions with interesting source material and studio
processing.

SOUND ODDITIES: Uncategorized interesting sound phenomena.

To contribute please email me these three items:

1. A description, written in your email body, about the process, content and/or
other details regarding the recording.
2. An mp3 sound clip.
3. A high quality jpeg (150 by 150 pixels) that is depictive of your sound(s)
in some way. If you have supplemental photos, you can send those too (but
extra images are not required).

Please email to: margaretnoble2000@yahoo.com

I will do my best to honor all submissions that fit the above criterion. Submit
as many times as you like and please do not fret if I don’t get back to you
right away, I will!

THANKS!!!!!!!!!!!!

Margaret Noble
http://margaretnoble.net

26.10.11

Gail Priest's - October/November stuff

gp

Oct/Nov Stuff

A little flurry of activity: a few gigs, sound for an exhibition by some lovely ladies, and the long awaited VOX compilaiton by New Weird Australia.
If you're interested, read on....

psh.live

Tony Osborne, Gail Priest, Whale + Cheng
voice business
Sunday, October 30, 2pm - 6pm
PSH Gallery
118 Terry Street
Rozelle, Australia
www.anyplaceprojects.com/psh-live/
& Facebook

thebodyisabigplace

The Body is a Big Place

installation by Helen Pynor & Peta Clancy
with sound by Gail Priest
The Body is a Big Place by Helen Pynor and Peta Clancy is a new media commission exploring the fluidity between bodily boundaries inherent to the organ transplantation process, the ambiguous boundary between life and death, and the complex and multilayered responses reported by organ transplant recipients.
November 4 - 26
Opening November 3, 6-8
Exhibition open 10am - 5pm
Performances Mon Nov 7 & 21, 5pm (time may vary)
Performance Space
CarriageWorks, Wilson St Eveleigh
www.performancespace.com.au

morrison


VOX - New Weird Australia Volume 10

VOX
co-compiled by Gail Priest & Stuart Buchanan exploring the voice in experimental, alternative and eclectic musics.
FREE DOWLOAD AVAILABLE NOW
http://newweirdaustralia.com/2011/08/new-weird-australia-vox/

22.10.11

Immersion into Noise - great text available online ....

Immersion Into Noise
by Joseph Nechvatal
Series: Critical Climate Change
Open Humanities Press
An imprint of MPublishing, University of Michigan Library, 2011