DIGIMAG 67 - SEMPTEMBER 2011
"...This interest comes from sound in itself and then from being interested in humans and their lives, histories, conditions etc. But we also wanted to go beyond the object and to not objectify and we came across audio as being, in the context of visual arts, in a certain way less, or differently, objectifying than the photograph or the video image; and also for its sculptural and material, or immaterial, qualities; of travelling through space instead of being fixed in its place, or just having one line of projection like video, for example, whose image has a more fixed format. We have been working with sound for a long time: sound was part of the environments we did during the first years of our collaboration; then we used it as a means of intervention in public space. We usually used concrete sound in relationship with space, as a way of shaping it or intervene in it, more than as a narrative element..."
Libia Castro & Ólafur Ólafsson, from "Radicant Aesthetics. Libia Castro &
Ólafur Ólafsson" by Elena Biserna
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[INTERVIEWS]:
RADICANT AESTHETICS. LIBIA CASTRO & OLAFUR OLAFSSON
http://www.digicult.it/digimag/article.asp?id=2154 - by Elena Biserna
LANFRANCO ACETI. LEA, ISEA AND OTHER CHALLENGES
http://www.digicult.it/digimag/article.asp?id=2155 - by Herman Bashiron
Mendolicchio
ART/TAPES/ 22. INTERVIEW WITH MARIA GLORIA BICOCCHI
http://www.digicult.it/digimag/article.asp?id=2158 - by Claudia D'Alonzo
TOUCHING THE MUSIC. BASCHET LABORATORY OF SOUND SCULPTURE
http://www.digicult.it/digimag/article.asp?id=2149 - by Barbara Sansone
PARALLEL WORLDS. THE MYSTERIOUS DORON GOLAN
http://www.digicult.it/digimag/article.asp?id=2152 - by Michael Szpakowski
NEW MEDIA ART IN JAPAN. HIDEAKI OGAWA AND THE DEVICE ART
http://www.digicult.it/digimag/article.asp?id=2147 - by Mauro Arrighi
PABLO GARCIA-VALENZUELA. THE SOUND ART IN MEXICO CITY
http://www.digicult.it/digimag/article.asp?id=2148 - by Felipe Zuniga
MAURO CEOLIN: ETHNOGRAPHY OF THE IMAGINARY
http://www.digicult.it/digimag/article.asp?id=2157 - by Claudio Musso
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[ESSAYS]:
KOEN VANMECHELEN. CHICKENS, CHICKS & EXPERIMENTAL SUBJECTS
http://www.digicult.it/digimag/article.asp?id=2150 - by Silvia Casini
THE THEATRE OF SOUND. ACOUSTIC RESEARCH BY FANNY & ALEXANDER
http://www.digicult.it/digimag/article.asp?id=2156 - by Enrico Pitozzi
A GUIDE TO AN A-DOCUMENTARY. VISION - RAPRESENTATION - RICREATION
http://www.digicult.it/digimag/article.asp?id=2159 - by Emanuele Andreoli
OPERATIVE TRANSFORMATIONS - PART 2
http://www.digicult.it/digimag/article.asp?id=2146 - by Eugenia Fratzeskou
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[REPORTS]:
ART & NETWORKED CULTURE. TALLIN AND THE NEW MEDIA ART
http://www.digicult.it/digimag/article.asp?id=2151 - by Mathias Jansson
WEB AESTHETICS. VITO CAMPANELLI AND THE MEDIA AESTHETICS
http://www.digicult.it/digimag/article.asp?id=2153 - by Pasquale Napolitano
BIOARTCAMP. AN ADVENTURE UPON THE ROCKY MOUNTAINS
http://www.digicult.it/digimag_eng/allegato.asp - by Jamie Ferguson
[THE DIGICULT PROJECT]:
From 2005, Digicult has being an online/offline cultural and editorialplatform which focuses on the impact of new technologies and sciences on art, design, culture and contemporary society. Founded and directed by Marco Mancuso, is now based on the active participation of quite 50 professional people, who represent a wide international Network of journalists, curators, artists, theorists, practioneers and critics. Digicult is also the editor of the monthly magazine Digimag, which focuses on some cultural, productive and
artistic issues like: internet & networks, hacking & hacktivism, video art & experimental cinema, sound art & electrinic music, audiovideo and live media, design & architecture, art & science, new media & social media, software art & generative art, performing art & interactive dance, with a strong critic and journalistic approach.
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